Ufærdiggørelser (2025)

A practice of entry and (r)effacing – a state of hypering through a process of repetition and recirculation.

The outcome of this praxis is a series of Ufærdiggørelser (Incompletions) in which journal entries are effaced repeatedly, making the paper surrect and curve inwards and fold back onto itself - an ongoing open-ended process of incompletion.

A seismic shift in which the paper body is (r)effacing – offering a convergence of time and space, as a celluloid place of spacetimemattering in which my temporal reflections are answered by the geological mattering of the paper body. 

The background of my writings comes forth, materialising through a dynamic in which written expressions become the impressions (and expression) of the paper body.

[T]he surfaces of bodies ‘surface’ as an effect of the impressions left by others.....emotions create the very surfaces and boundaries that allow all kinds of objects to be delineated.

(Sara Ahmed, The Cultural Politics of Emotion, Edinburgh University Press, 2008, p. 6